By Dee Dwyer
In her studio, Charlotte Wilson-Hammond shows me the art she is making of a muted photograph on mylar, of a tall shadow leaning across a landscape of grasses and rocks. To this she applies muted shades of coloured pencil. “I have always worked with the body and the land, the environment and the environment of the body,” says Charlotte, who has had an accomplished fifty-year career—a career that has been and continues to be shaped by her relationship to the environment of her Clam Harbour home and the Eastern Shore.
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